Hello Blogging My Old Friend

Wow! I hadn't realized how long my hiatus was until I started working on this post. Thankfully, I've got the whole interweb thing figured out and finally working so I will not be away for so long again. Can I just say I really missed you?

So much has happened, too much really, that I'm just going to focus on the films shown at my eponymous movie club. I'm really trying to take it back to my original intention so we are alternating between older/classic films and more modern fare. This year, I'm also trying to focus on a different genre each month and choosing a film that perfectly encaptures it.

Where we left off:

"The Apartment" (1960)
Director: Billy Wilder (Seven Year Itch, Sunset Blvd., Some Like It Hot, legend)
Starring: Shirley MacLaine, Jack Lemmon, Fred MacMurray
Academy Awards: Best Picture, Best Director, Best Screenplay, Best Art Director, Best Editing. Nominations: Best Actress, Best Actor, Best Supporting Actor, Cinematography, Best Sound

"The Apartment" is one of my favourite movies. I can remember seeing it when I was fairly young (big shocker) and didn't know what it was about. Now, it amazes me that this movie was made at all and I wonder if it could still be made successfully today. What would it be rated? Surely not the PG it received from the Hays office.

"I'm too old for that sort of thing, I mean; in a VW."

Bud (Lemmon) is a young man trying to work his way to the top at work. Unfortunately, he's a bit misguided and lets executives use his apartment for their trysts. When his boss Mr. Sheldrake begins to use it, he brings over the colourful and carefree elevator operator Bud likes named Fran (MacLaine). Soon it becomes apparent that this scheme isn't going to work out and Bud must come to terms with the consequences of standing up for the girl of his dreams and potentially losing his career.

"The mirror is broken."
"Yes, I know. It makes me look the way I feel."

"The Apartment" is full of the typical bon mots we expect and love from Lemmon and MacLaine and McMurray (of My Three Sons fame) is deliciously evil as a boss and lover with few morals or ethics. It is a must see for fans of comedy and the actors, as well as a must for those who place a high emphasis on award wins.

"Tomie" (1998/1999)

Director: Ataru Oikawa

Starring: Miho Karro, Mami Nakamura, Yoriko Doguchi

I saw this movie for the first time after the cover art caught my eye at Blockbuster. It is the kind of movie you watch and when it's over ask yourself, "What the heck just happened?" I couldn't have told you the story or what it was about other than there was a head in a bag and it grew a body (as if you need to know anything more than that!). I must have watched it three times and could never say more than that! If you like it, there are also several sequels of varying success. Watching this again with the club made me feel a bit silly. The plot is not nearly as absent as I remember, but the film is still an easy entrance to the world of modern Japanese horror films and perfect if you have a group with members who are uncomfortable around anything scary.

Tsukiko is a troubled young woman who can't remember what happened in her past to make her so. She seeks the help of a psychiatrist who through hypnoses uncovers a name- Tomie. Who Tomie was and why she is haunting Tsukiko becomes the core of the movie. At the same time, a detective is investigating a rash of serial murders that also uncovers the name Tomie. A young man has the aforementioned head in the bag and talks to it. It talks back. I won't give away more for fear of ruining it, but the identity of the killer, Tomie, and what happened to our heroine as a child are all revealed.

Perfect for lovers of Asian cinema and Japanese horror especially. Also good for anyone looking for a good mystery with a bit of blood in it.

"The Searchers" (1956)
Director: John Ford (Grapes of Wrath, Stagecoach, How Green Was My Valley)
Starring: John Wayne, Natalie Wood, Vera Miles, Jeffery Hunter
Awards: DGA nomination, AFI #1 Western, AFI Top 100 Films #12

To agree with AFI is a bit redundant, but this is my favourite Western as well. It showcases the quintessential Wayne hero/curmudgeon and is beautifully shot, acted, and written. What else would you expect from the grandfather of Westerns, Ford?

"Ethan, I gotta ask you and Martin to take a ride to the State Capital."
"Is this an invite to a necktie party, Reverend?"

Shortly after Ethan Edwards (Wayne) comes home from the civil war, his brother's ranch is attacked by Indians (sorry P.C. people!) and everyone is killed except his youngest niece who is kidnapped. Ethan forms a search party and spends years looking for her. Finally, he finds her, all grown up, and played by Natalie Wood in what would normally be an embarrassing performance. Having lived with the Comanche for so long, can she be rescued?

"That'll be the day."

"The Searchers" is a long movie, but one with enough weight and importance behind it to make the time sail by. The male actors really shine as does Miles, as the young woman in love with a member of the searching party. The film holds true today with its themes of racism, family, and war. A must for Western lovers, but seriously; if you're a fan of Westerns you've probably already seen it. Otherwise, it is simply a must see for everyone.

[side note: A great drinking game- Drink every time Wayne says something snarky or acts like a smart ass. You'll be pleasantly buzzed before the end of the first reel.]

"La Haine (Hate)" (1995)
Director: Mathieu Kassovitz
Starring: Vincent Cassel, Hubert Kounde, Said Taghmaoui
Awards: Best Director (Cannes), Best Editing, Film, & Producer (Cesar Awards), Best Young Film (European Film Awards), Best Director & Film (Lumiere Awards), Empire Magazine 100 Best Films of World Cinema #32

Mathieu Kassovitz made a name for himself by making films that addressed social and political subjects in a youthful and fresh way. Most American movie goers will know him as the love interest in "Amelie" and I encourage you to seek out his French films as well.

"Jusqu'ici tout va bien..." ("So far, so good...")

Centering around the race riots in the Paris ghettos, "La Haine" follows the lives of three friends during a 24-hour period. The trio represent an almost unlikely alliance in France: Vinz- Jewish, Said- Muslim, and Hubert- African/French. Each responds slightly differently to the riots and police brutality effecting their community. They both try to go about their day as normally as possible and try to find someone to blame for the beating of their friend Abdel. The ending is one that you will talk about for years to come and the conversation that stemed from this film was one of the best in the clubs history.

"La Haine" doesn't pretend to have the solution to Frances difficulty, not does it delve to deeply into what caused this horrific level of hate amoungst the haves and have nots, the white protestant and everyone else. It does give you something to think about. The film regained the spotlight again in 2005 after Kassovitz criticized then Home Office Minister Nicolas Sarkozy (now President) made racist comments following another bout of riots in and around Paris. The transcripts of those conversations is priceless!

WWQTW?: Diner

Sorry for the delay. This is my review for January's WWQTW? Movie Club. I started a new job at the new year, and it's taking me a bit longer than I anticipated to get back into the groove of blogging. Oh well, better late than never!

***** (5 stars)

Last night was our first meeting of the WWQTW? Movie Club. I really thought we needed a comedy a) because we have never had one yet and b) because now was the time for some laughs. What better way to start the new year than on a high? There were lots of yummy treats including hummus, fresh fruit, chips and dip, mint pea crostini (my creations by way of Jamie Oliver), King Cake (god bless Mardi Gras season), peanut butter pie, cookies, and more wine than we knew what to do with. Needless to say, my liver and stomach where very happy, then very sad with me.

This month's movie was Barry Levinson's "Diner" about a group of twenty-somethings in Baltimore during the '50s. The movie introduced the world to the acting talents of: Mickey Rourke, Kevin Bacon, Steve Guttenberg, Paul Reiser, Daniel Stern, Ellen Barkin, and Tim Daly. That's a seriously impressive cast, many of whom hadn't really worked much before. This was also Levinson's first film. He would go on to helm "The Natural", "Good Morning, Vietnam", "Rain Man" (AA- Best Director), "Avalon" (AA nominated), "Sleepers", "Bugsy" (AA nominated), and "Wag the Dog".

Modell (Reiser):  "We all know most marriages depend on a firm grasp of football trivia."

"Diner" is an hilarious movie about becoming an adult, finding love, keeping friends, and just living life. The movie was filmed chronologically for the most part with the diner scenes filmed at the end. Levinson wanted the cast to really feel like friends and many of the best lines were ad libbed as a result. The Popcorn Scene is one of the most famous in the film and has cropped up in pop culture ever since. Rourke bets the guys he can get the dream girl to feel him up at the movies. He takes the bet mostly because he's in a bad way over some gambling losses, but it's also a pretty telling moment for her character. Once in the theater, he unbuttons his pants and puts his penis up through the bottom of the popcorn box. When his date reaches in, she gets the shock of her life and Rourke losses the bet on a technicality. So funny!

Tim (Bacon): "All I did was I parked the car on a nice lonely road, I looked at her, and I said fuck or fight."

"Diner" is one of those movies your parents love because they were living that time and feel nostalgic, but it holds up. Not just since it's release in 1982, but as a movie about the past. Everyone can identify with the problems and humor that each character faces. We all know the cocky guy, the shy guy, the sports nut, the juvenile, the married guy, the funny one, etc. Because we can identify, we fall in love with the characters easily and stay in love even though we ourselves grow up and move from one label to the next. It is a great movie (with equally great soundtrack) that should be on every one's list.

Aaah! Zombies!!

**** (4.5 stars)

AKA "Wasting Away" is one of the best zombie/horror/comedy movies I have seen in a long time. The perfect blend of blood, brains, catchy one-liners, and decent plot really set this movie apart. I would love to have a mini-movie marathon with this, "Shaun of the Dead" and "Grindhouse: Planet Terror". It would be epic!

New Year's was an interesting occasion this year and thankfully I had this movie to get the party started. A planned cab strike meant ample time for a movie while waiting. I mean, what's a girl to do but watch a zombie movie and drink a bottle of champagne (with a little help of course)?

Matthew and Sean Kohnen suffer no loss of the imagination; just when you thought it was impossible to attack the zombie genre from a new angle. You have the typical (a group of 20-something hang abouts) with the unusual (they're all zombies). "Aaah Zombies" asks the question, "What's it really like to be a zombie?"

Tim (Michael Grant Terry, TVs "Bones") works at the local bowling alley with dreams of middle management. He's in love with his co-worker and best friend Cindy (Betsy Beutler, TVs "Scrubs" after it went downhill) but is afraid to tell her. His polar opposite and other best friend Mike (Matthew Davis, TVs "The Vampire Diaries") is loud, crude, funny, and self proclaimed ladies man. His ex, Vanessa (Julianna Robinson) dreams of becoming a lawyer and leaving all the juvenile antics behind. Meanwhile, on a secret government base (there's always one of those), a tragic science experiment results in the patients becoming zombies and they must dump the chemical compound and quick. In a twist of fate, one of the barrels rolls off the truck and is mistaken for a beer keg at the bowling alley. Best idea ever- Beer flavored ice cream. Unfortunately, the beer is actually poison and everyone dies and becomes a zombie. After they've scarfed the dessert, the picture turns from black and white to color and our gang of misfits is on their way. Everything they seem appears normal, though slightly sped up. What the world actually sees, and in black and white no less, is a group of raving slacker zombies. Problem is, they don't think they're the ones infected and they must find a cure for all their friends and family. With the help of Nick Steel (Colby French, the man's been in everything!), retired military, they begin to battle the 'dark" forces at play. Oh, and it's seriously funny.

All I kept thinking was, "I hope we get to see what these jokers look like when they think they're being cool and romantic. I want to see some zombie kissing!" Cut to black and white and what they think is a friendly wave or passionate kiss is actually awkward and a bit disgusting.

I find myself not wanting to say too much about this film. Not that there's much to give away or that you won't predict much of it, you will; instead I feel like it should be experienced with the same trepidation that I felt watching it. After "Mad Cowgirl" was an utter disappointment, I prayed that this movie would not let me down and ruin the start of my New Years Eve celebrations. I never really wondered before if zombies had thoughts, I just assumed they didn't, or if they could be anything more than mindless wanderers out for brains.

"Aaah! Zombies!!" is yet another great example of what low budget film making can and should be. I can't wait to see what's next.

PS- I find it's best, when speaking to someone about this movie, to really use the exclamation points in the title to their fullest effect: Aaah! ZOMBIES!! Really shout that last bit out.

The League of Evil Exes Strikes!

**** (4.5 stars)

I’m a little behind. Where I once went to the movies every weekend, sometimes more; now, I find myself struggling to find the time to watch even my Netflix rentals. Chuck & Beans put this beautifully in a cartoon published recently:

You know the feeling- I work all day for little pay, but at least there’s the weekend. It sounds like a country song. But, what if you work weekends? How are you supposed to indulge your greatest desire, to see every movie that comes out as soon as it comes out? I missed “Scott Pilgrim vs the World” when it hit theatres. It’s especially sad as it was a movie I was super excited about. Edgar Wright is the reigning master of the odd blend of low and high-brow comedy England is famous for. From the TV series “Spaced”, to his mock-u-genre pictures “Shaun of the Dead” and “Hot Fuzz”, I think the man is brilliant. When my Dad and I went to see “Hot Fuzz” in the theatre, we were a bit dismayed by the fact we were the only ones laughing, and laughing loud and hard. Surely the comedy wouldn’t be lost on Americans who didn’t grow up watching “The Thin Blue Line”. What? They weren’t addicted to PBS like we were? Oh well.

Based on a series of comic books by Bryan Lee O’Malley, Scott Pilgrim follows the titular character on his quest for the girl of his dreams Ramona Flowers (Mary Elizabeth Winstead, “Wolf Lake”, “Final Destination 3”). Unfortunately, Ramona has some serious baggage in the form of The League of Exes- 7 Evil Exes who try to control the fate of Ramona’s love life. In order to be with her, he must defeat (i.e. kill) them all. How exactly is a scrawny sad sack and deluded Lothario supposed to do that? Why, with all his years of video game training of course! Each fight resembles something straight out of Nintendo with the defeated villain worth points and coins. When a fist or foot connects, it resembles Adam West’s “Batman”. Ka Pow! Will Scott win his lady love? Will his band Sex Bob-Omb win the Toronto Battle of the Bands?

                              Computer: You've got mail.

                              Scott Pilgrim: Dude, this thing claims I have mail.

                              Wallace Wells (Keiran Culkin): It's amazing what we can do with

                                                                                computers these days.

                              Scott Pilgrim: Dude, now I'm totally reading it.

Scott Pilgrim is almost too smart for mainstream audiences. It’s heavy pop culture references are lost on anyone under 25 and even then it’s a slippery slope. One scene plays like an episode of “Seinfeld” complete with theme music and laugh track. Another opens with the Universal Studios’ (the distributor of the film) theme music playing. The winks and nods to Hollywood movie and comic book culture are all over the film. On second viewing, it became a bit of a game to identify them all.

Cera steps out of his comfort zone a bit here, even if it’s only a foot outside. He is less bumbling and awkward, a little more confident. We have to believe that Scott could defeat these evil exes and that a girl would be interested in him. He has depth that has previously been under the covers before. That we do believe it is, I hope, testament to the growth of Cera as an actor and I hope the direction he will be using going forward in his career.

Each evil ex has their own personality and sad story (often shown as animated cells from the comic book). Ex #1 Matthew Patel (Satya Bhabha) fights with the full force of a Bollywood number behind him. Ex #2, Lucas Lee (Chris Evans, “Fantastic Four”, “London”) uses his stunt doubles to do his dirty work. Ex #3 turns out to be a girl, Ex #4 (Brandon Routh, “Superman”) harnesses the power of veganism in a seriously hilarious scene also featuring Scott’s ex Envy (Brie Larson, “United States of Tara”). After defeating a set of twins, Scott must now face the ultimate evil- Gideon Graves (Jason Schwartzman, "Rushmore") who is also the record producer they’ve been tracking since the beginning of the film. Get the girl or the record contract?

Scott’s band mates and roommate provide much of the comic banter and inside jokes strewn throughout the movie. Each character is introduced by a title bubble that pops up on the bottom of the screen giving their basic information (Name, age, position in the band, etc). Mark Webber (“Storytelling”) is the singer, Alison Pill (“Pieces of April”) the drummer and Scott’s ex. Her acerbic wit and deadpan delivery account for many laughs. Stuck on the sideline is Young Neil (Johnny Simmons, “Jennifer’s Body”) who is the perfect groupie and lackey combined. Keiran Culkin ("Igby Goes Down") is Scott's gay roommate who eggs him on in battle and steals everyone's boyfriends. He's also hilarious and has many of the best one-liners in the film. Personally, I like Keiran a lot and hope he continues to make interesting, indie movies.

"Kick her in the balls!" - Wallace Wells

I really loved “Scott Pilgrim vs the World” and plan to buy it soon if for no other reason than the special features are not available on the rental disc. Blast!! All I want to do is watch some bloopers.

WWQTW?: American Werewolf in London

Last night was our first WWQTW (What would Quentin Tarantino watch?) on a Friday night and I think it went pretty well. In honor of it being Friday the 13th, I decided we should watch something scary or at least in the horror vein of things. My choice? "An American Werewolf in London". I love this movie!

Released in 1981, "Werewolf" is directed by John Landis (Love!) and stars David Naughton, Griffin Dunne, and Jenny Agutter. Landis first wrote the script in 1969 but had to shelve it when no one would give a "nobody" money for a horror pic. [side note: Thank god he didn't go to Roger Corman. No offense, I love Corman pictures, but they would not have done this film right] After making "Kentucky Fried Movie" and "The Blues Brothers" he was able to dust off the script and give it a go. Naughton was most notably known as the Dr Pepper guy and went on to appear in TV ("My Sister Sam"). Dunne has had a more illustrious career, appearing regularly in TV and film ("Johnny Dangerously", "My Girl", "Quiz Show").

While backpacking through England, friends David and Jake find themselves lost in the moors. They stop into a local pub to escape the cold but are quickly sent away as outsiders. Out on the moors, something attacks them killing Jake and injuring David. When David awakes, he finds he is to become a werewolf and his friend is forced to walk the earth as a ghost until the wolves bloodline is severed. Agutter plays the nurse who takes a shine to David and invites him into her home.

"Werewolf" is an important film for several reasons. First, the make up artistry of Rick Baker is genius. Films like this (utilizing practical make up and appliances) will always hold up to their CG brethren. Baker was the first recipient of the Academy Award for Best Make up (many say the category was created to honor him), and would go on to win 5 more. His other works included "Star Wars", "Videodrome", "Thriller" music video, "Batman Forever", "Men in Black", and "Hellboy". It's safe to say I have a bit of a crush. When I was younger, there was a travelling show of movie FX that came through Dallas. It was amazing! We got to see the alien queen from "Alien", the grandmother from "Psycho", and the werewolf head from this film. Up close it was just as impressive as on screen.

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Second, the writing and direction of Landis is smart, funny, and never panders. It sets the tone for comedy in a horror setting that has become popular with more modern filmmakers. I love the recognition that in fear comes comedy. Landis utilizes medium and full shots, saving the close ups for David's transition and close ups of the werewolf only. It's smart and the British mentality perfectly captured.

Third, I love anything from John Landis because he always gives a wink to the audience. I always thought if I ever made movies I would insert little homages to films and people I love. Most of his films feature the tag "See you next Wednesday" (from a "Dr Strangelove" quote), popular music that relates to the film (in "Werewolf" all the songs featured the moon in it's lyrics), and cameos from other people in the industry (look for Frank Oz, the voice of Miss Piggy, in several of his films). They go unnoticed to most people, but these built in Easter eggs are the bread and butter of movie fans the world over.

The film is rated "R" and even taking into account the way films were rated 30 years ago (I mean, "Jaws" is PG people), it remains an "R" rated film for some nudity, sexual situations, language, horror violence, and gore. That being said, I must have been 13 or younger when I saw it and look how I turned out!